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SOLAR

Solar Plate Intaglio. Inspired by Louis MacNeice’s poem Snow, these still-lives of shadows pay homage to the sense of magic that I get from looking the earliest photography, a kind of experience of revelation. View Gallery


PORCELAIN

Silver Gelatin Prints. During lockdown I built a darkroom. I began printing on different substrates, mainly porcelain. They are are small pictures of nature, mainly crows and woods.


INTERBEING

Large format Silver Gelatin prints mounted on aluminium. The fragmented, refracted nature of these pieces reflect the way the world appears to me. My feeling is that when we wake up, we don’t stop dreaming. At heart it’s about desire and my experience of the world as a kind of dance. View Gallery


CROW

CROW : “Nothing is unreal as long as you can imagine like a crow”― Munia Khan. A series of images in several different formats. View Gallery

Crow (Concertina): A collaboration with

book binder Manuel Mazzotti

CROW (Code): A collaboration with Carolyn Thompson, a

British visual artist working predominantly with found text and images.


HOW THE LIGHT GETS IN

Created originally to be shown at One Paved Court Gallery Richmond, this series used the gallery walls as a background; landscapes of the mind and reflections on the sustaining power of the imagination. View Gallery


LANDSCAPE

C - Type prints from negatives shot on a Wista 5 x 4 plate camera, See Gallery


FRUITS OF THE EARTH

Micro landscapes shot on large format film. The Mycelium revolution is here View Gallery