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SOLAR
Solar Plate Intaglio. Inspired by Louis MacNeice’s poem Snow, these still-lives of shadows pay homage to the sense of magic that I get from looking the earliest photography, a kind of experience of revelation. View Gallery
PORCELAIN
Silver Gelatin Prints. During lockdown I built a darkroom. I began printing on different substrates, mainly porcelain. They are are small pictures of nature, mainly crows and woods.
INTERBEING
Large format Silver Gelatin prints mounted on aluminium. The fragmented, refracted nature of these pieces reflect the way the world appears to me. My feeling is that when we wake up, we don’t stop dreaming. At heart it’s about desire and my experience of the world as a kind of dance. View Gallery
CROW
CROW : “Nothing is unreal as long as you can imagine like a crow”― Munia Khan. A series of images in several different formats. View Gallery
Crow (Concertina): A collaboration with
book binder Manuel Mazzotti
CROW (Code): A collaboration with Carolyn Thompson, a
British visual artist working predominantly with found text and images.
HOW THE LIGHT GETS IN
Created originally to be shown at One Paved Court Gallery Richmond, this series used the gallery walls as a background; landscapes of the mind and reflections on the sustaining power of the imagination. View Gallery
LANDSCAPE
C - Type prints from negatives shot on a Wista 5 x 4 plate camera, See Gallery
FRUITS OF THE EARTH
Micro landscapes shot on large format film. The Mycelium revolution is here View Gallery
